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Toyo Tsuchiya ARTISTS
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Portrait Toyo Tsuchiya

TOYO TSUCHIYA, born in Japan 1948. I decided to become an artist at 18. After graduation from Technical High School in Yokohama selftaught study Art in Tokyo. Move to U.S.A. in 1980. Living Lower East Side New York. In the beginning I started diary kind of snapshot photography for few years. From 1983 I strongly involved site specific Performance Art photography which including Rivington School/Sculpture garden project. I documented their activity for ten years. I am exhibiting my work in New York and Japan. Most recent exhibition held at Asian American Art Center in New York entitled "six o'clock observed". Tsuchiya passed away unexpectedly from heart failure on Thanksgiving morning [Nov 23, 2017] at the age of 69 in New York. wikipedia

2016  RIVINGTON SCHOOL: 80s New York Underground | Book, Printed Matter,
           New York

2003  NO!art IN BUCHENWALD
           Boris Lurie: Geschriebigtes/Gedichtigtes, catalogbook, Stuttgart
           Contribution: Sculpture at 745 E 6 St NYC
1999  SIX O'CLOCK OBSERVED | Asian American Arts Centre, New York

NO!art involved artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + href="https://tobocman.no-art.info/_memo-en.html" target="_blank">TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR

NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.

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